It is always nice to catch up with someone who brings about the movies we cover. This weekend we have spoken to Sid De La Cruz, who has scored a string of movies including a recent project for Dolph Lundgren (4GOT10/Forgotten – Working Title), as well as other genre areas and formats. Sid De La Cruz has also been awarded the prestigious BMI Jerry Goldsmith Film Scoring Scholarship Award. Here is a chat we had.
How did you become involved with 4GOT10?
I have worked with Timothy Woodward Jr, who is the director of 4Got10, on previous films. When he mentioned that he was working on this this film and asked me if I wanted to work on it, I immediately said yes. With a cast like Dolph Lundgren, Danny Trejo, and Vivica Fox, it’s hard to say no.
I noticed you’ve done some videogame work in the past, what’s the difference in challenges between composing for a videogame and composing for a movie?
One of the differences between videogames and movies is that, in video games, music tends to be layered. For instance, lets say you are playing a game where you are walking the landscape. You might hear a 1-3 min. piece of music that loops. Then, lets say, you are near an enemy. So 2nd layer of music comes in and plays simultaneously with the 1st layer. The 2nd layer of music would be tense. Letting the player know, there is an enemy near by. Then lets say, you engage in combat with the enemy. A 3rd layer of music comes in and you hear tension/battle music.
Another difference is, some videogames use audio engines such as FMod and Wwise to allow the music be more dynamic. For example, if you are playing a fighting game, you would have the music playing in the background. Now, lets say you win the fight, you will hear winning music but if you lose the fight you will hear losing music. So these audio engines allow to trigger music depending on the outcome of the fight. When dealing with audio engines, a lot of times, a composer works closely with a programmer who will typically operate the audio engines and the composer usually sticks to the music.
And what’s the difference between those and composing for a documentary?
Now, composing for a documentary, would be similar to a movie. For the most part, documentaries have a lot of dialog. The music has to complement the visuals, yet not get in the way of the dialogue.
Is less more when it comes to a film score? Or does it depend on genre?
That is a good question. I believe it all depends on several things such as, the scene, genre, emotions that I want to convey and things like that.. Sometime, less is more. Sometimes a single instrument can be very powerful and effective in a scene. Then there are scenes such as, full blown out action sequences, where having an orchestra would be far more effective.
4GOT10 seems to have a fairly cool cast, I mean you have Dolph Lundgren and Danny Trejo, did you hang out with those guys?
Unfortunately, I did not get a chance to hang out with them. While 4Got10 was being filmed, I was busy working on another film. Hopefully, if I get another opportunity to work on a film with a cool cast, I will try my best to visit the set at least once.
How did it feel to win the BMI Jerry Goldsmith Film Scoring Scholarship Award? Were you a fan?
When I won the BMI Jerry Goldsmith Film Scoring Scholarship, I was actually at the gym. I never take my phone to the gym, just my iPod. So when I got out of the gym, I noticed that I had a voicemail message. When I heard that I had won the BMI Jerry Goldsmith Film Scoring Scholarship, I didn’t believe it. At first I thought it was a message to let me know that they picked another winner. After I replayed the message and heard that I won the scholarship, I was very happy and speechless. I had never won anything. It felt really nice to win.
Finally, what’s next on your agenda?
I am currently working on another film by Timothy Woodward Jr. It’s an action / sci-fi / thriller titled, “Weaponized”. The movie is starring Mickey Rourke, Tom Sizemore, and John Foo. I am almost finished scoring it. After that, I will be working on a a film titled, “Prayer Never Fails”. Its a drama starring Lorenzo Lamas and Eric Roberts (Julia Roberts brother)
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